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Una colección de ensayos magistrales sobre la cultura de masas. En una serie de ensayos magistrales sobre la cultura de masas -en los que analiza la estructura del mal gusto, la lectura de los cómics, el mito de Superman, la canción de consumo, el papel de los medios audiovisuales como instrumento de información o el influjo de la televisión en el mundo de hoy-, Eco se plantea el problema central de la doble postura ante la cultura de masas: la de los apocalípticos, que ven en ella la «anticultura», el signo de una caída irrecuperable, y la de los integrados, que creen optimistamente que estamos viviendo una magnífica generalización del marco cultural.
Umberto Eco (Author), Diego Rousselon (Narrator)
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Las catorce claves de Umberto Eco para reconocer el fascismo: un manifiesto urgente. «Umberto Eco cambió nuestra mirada sobre los libros: imprescindibles, pequeños, frágiles, a veces criminales, casi siempre salvadores. Un maestro que nos enseñó a entrelazar la sabiduría y el juego con su estilo sagaz y lúdico, con su asombrosa inventiva y certera lucidez.» Irene Vallejo «Uno de los pensadores más influyentes de nuestro tiempo.» Los Angeles Times «El fascismo eterno aún nos rodea, aunque lleve traje de paisano. Puede volver en cualquier momento, aunque se disfrace de las formas más inocuas. Nuestro deber es detectarlo, quitarle la máscara y denunciar en voz alta cada una de sus gestas.» En esta conferencia dirigida a los alumnos de una universidad norteamericana en 1995, Umberto Eco alertaba frente a la sombra alargada de un fenómeno que no se restringe al ámbito político ni tiene fecha de caducidad, porque tras un régimen y una ideología hay siempre un cierto modo de pensar y de sentir, un sustrato cultural que puede ser el germen de una nueva ola fascista. El gran pensador de nuestro tiempo, aquel que nos enseñó a «reflexionar antes de pensar», nos ofrece catorce claves para reconocer el fantasma del «fascismo eterno» y nos brinda instrumentos para que el presente y el futuro no se parezcan a nuestro peor pasado. La crítica ha dicho... «El fascismo es un monstruo con muchas caras. Hace casi 25 años, Umberto Eco advertía sobre esta cuestión que a día de hoy ha adquirido una importancia caudal y una urgencia realmente inquietante.» Diari de Girona «Una invitación a la memoria, para que nunca demos algo por superado.» Furio Colombo, Il Fatto Quotidiano «Muy convincente y con la clase de destellos de inteligencia y conocimiento que los lectores esperan de una de las mentes más brillantes de Italia.» Library Journal «Eco mezcla recuerdos personales de su juventud bajo el régimen fascista y analiza estructuralmente los catorce arquetipos del fascismo primitivo y eterno.» Babelio «Cabe en el bolsillo de una americana, tiene 61 páginas y concreción suficiente para funcionar como un ibuprofeno.» Karina Sainz Borgo, Voz Pópuli «Sesenta y cuatro páginas fáciles de leer que nos recuerdan que el fascismo tiene más de una cara y que puede volver a surgir bajo otros hábitos.» France Inter «Umberto Eco sugiere que existe un fascismo eterno cuyas características, aunque en aparencia contradictorias o inocentes, siguen entre nosotros.» Il Manifesto «Eco explica el nexo inseparable entre libertad y Liberación (del fascismo).» Paolo di Paolo, L'Espresso «Un genio inagotable, voraz, que construye y deconstruye sin cesar, de inteligencia deslumbrante y humorística cuando hace falta.» Mercedes Monmany, ABC «Un manifiesto urgente, y yo añadiría que necesario, en la actualidad que vivimos.» Jesús Cabaleiro Larrán, Periodistas en Español
Umberto Eco (Author), Eugenio Barona (Narrator)
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Treinta años después de publicar El nombre de la rosa, Umberto Umberto Eco vuelve para mostrarnos que, en la literatura y en la vida, nada es lo que parece y nadie es quien realmente dice ser.París, 1897. Un hombre escribe sentado a una mesa en una habitación abarrotada de muebles: he aquí al capitán Simonini, un piamontés afincado en la capital francesa, que desde muy joven se dedica al noble arte de crear documentos falsos.Hombre de pocas palabras, misógino y glotón impenitente, el capitán se inspira en los folletines de Dumas y Sue para dar fe de complots inexistentes, fomentar intrigas o difamar a las grandes figuras de la política europea. Caballero sin escrúpulos, Simonini trabaja al servicio del mejor postor: si antes fue el gobierno italiano quien pagó por sus imposturas, luego llegaron los encargos de Francia y Prusia, e incluso Hitler acabaría aprovechándose de sus malvados oficios...Reseñas: Su mejor novela desde El nombre de la rosa. Justo Navarro, Babelia, El País Más irónico que nunca y sumamente divertido. Matías Néspolo, Tendencias, El Mundo Eco ha gestado una obra realmente maestra. La Vanguardia
Umberto Eco (Author), Joan Massotkleiner (Narrator)
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Numero Zero is the feverish and delightfully readable tale of a ghostwriter in Milan whose work pulls him into an underworld of media politics and murderous conspiracies (involving the cadaver of Mussolini's double, naturally.) This novel is vintage Eco-corrupt newspapers, clandestine plots, imaginary histories-and will appeal to his many readers and earn him legions of new ones. Umberto Eco is the 83-year-old Italian novelist best known for the international bestseller The Name of the Rose, published in 1980. The murder mystery set in a 14th-century monastery was made into a film starring Sean Connery and Christian Slater. His other books include several works of literary criticism and the bestselling novels Foucault's Pendulum, Baudolino, and his most recent, The Prague Cemetery.
Umberto Eco (Author), David Colacci (Narrator)
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1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duce's death remain shrouded in confusion and controversy. 1992, Milan. Colonna, a depressed hack writer, is offered a fee he can't refuse to ghost-write a memoir. His subject: a fledgling newspaper financed by a powerful media magnate. As Colonna gets to know the team, he learns the paranoid theories of Braggadocio, who is convinced that Mussolini's corpse was a body-double and part of a wider Fascist plot. It's the scoop he desperately needs. The evidence? He's working on it. Colonna is sceptical. But when a body is found, stabbed to death in a back alley, and the paper is shut down, even he is jolted out of his complacency. Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War. This gripping novel from the author of The Name of the Rose is told with all the power of a master storyteller.
Umberto Eco (Author), Mark Meadows (Narrator)
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1992. Colonna is offered a fee he can't refuse to ghost-write a memoir. His subject, Braggadocio, is convinced that Mussolini's corpse was a body-double and part of a wider Fascist plot. When a body is found, stabbed to death in a back alley, even Colonna is jolted out of his complacency. Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War.
Umberto Eco (Author), David Colacci (Narrator)
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La novela emblemática de Umberto Eco. Una apasionante trama y admirable reconstrucción de una época especialmente conflictiva, la del siglo XVI.Valiéndose de las características propias de la novela gótica, la crónica medieval y la novela policíaca, El nombre de la rosa narra las actividades detectivescas de Guillermo de Baskerville para esclarecer los crímenes cometidos en una abadía benedictina en el año 1327. Le ayudará en su labor el novicio Adso, un hombre joven que se enfrenta por primera vez a las realidades de la vida, más allá de las puertas del convento.En esta primera y brillante incursión en el mundo de la narrativa, que Umberto Eco llevó a cabo hace ahora treinta años, el lector disfrutará de una trama apasionante y de una admirable reconstrucción de una época especialmente conflictiva de la historia de Occidente.Reseña: Aquí hay misterios turbadores, personajes vívidos, un retrato logrado de una época fascinante, humor sutil, sucesos inesperados y una prosa ágil que puede adaptarse a los registros de la fe, la duda, el horror, el éxtasis amoroso y la desolación. David Lodge
Umberto Eco (Author), Juan Carlos Gustems (Narrator)
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By the time Umberto Eco published his best-selling novel The Name of the Rose, he was one of Italy's most celebrated intellectuals, a distinguished academic and the author of influential works on semiotics. Some years before that, in 1977, Eco published a little book for his students, How to Write a Thesis, in which he offered useful advice on all the steps involved in researching and writing a thesis -- from choosing a topic to organizing a work schedule to writing the final draft. Now in its twenty-third edition in Italy and translated into seventeen languages, How to Write a Thesis has become a classic. Remarkably, this is its first, long overdue publication in English. Eco's approach is anything but dry and academic. He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise. How to Write a Thesis is unlike any other writing manual. It reads like a novel. It is opinionated. It is frequently irreverent, sometimes polemical, and often hilarious. Eco advises students how to avoid "thesis neurosis" and he answers the important question "Must You Read Books?" He reminds students "You are not Proust" and "Write everything that comes into your head, but only in the first draft." Of course, there was no Internet in 1977, but Eco's index card research system offers important lessons about critical thinking and information curating for students of today who may be burdened by Big Data.
Umberto Eco (Author), Sean Pratt (Narrator)
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Lorenzo and Lucia, both from peasant families, are planning their wedding. However, after meeting the villainous Don Rodrigo, the couple are forced to flee their village. Their dangerous journey in exile takes them through one of the most dramatic eras in Italian history, filled with war, famine and plague will they ever be able to find happiness together?
Umberto Eco (Author), Peter Noble (Narrator)
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The international bestseller! A masterful gothic thriller set against the turbulence of medieval Italy. The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where "the most interesting things happen at night." As Brother William goes about unraveling the mystery of what happens at the abbey by day and by night, listeners step into a brilliant re-creation of the fourteenth century, with its dark superstitions and wild prejudices, its hidden passions and sordid intrigues. Virtuoso storyteller Umberto Eco conjures up a gloriously rich portrait of this world with such grace, ease, wit and love that you will become utterly intoxicated with the place and time.
Umberto Eco (Author), Sean Barrett, Theodore Bikel (Narrator)
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Nineteenth-century Europe, from Turin to Prague to Paris, abounds with the ghastly and the mysterious. Conspiracies rule history. Jesuits plot against Freemasons. Italian priests are strangled with their own intestines. French criminals plan bombings by day and celebrate black masses by night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. From the unification of Italy to the Paris Commune to the Dreyfus Affair to the notorious forgery The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies both real and imagined, lay just one man? What if that evil genius created the most infamous document of all?
Umberto Eco (Author), Sean Barrett (Narrator)
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Whether it's a critically acclaimed novel or provocative collection of essays, every work from best-selling author Umberto Eco is a highly anticipated publishing event. The Prague Cemetery is set amid conspiracy-rich 19th century Europe, where intrigue abounds—and where a lone, evil genius may be pulling all the strings.
Umberto Eco (Author), George Guidall (Narrator)
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