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There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.01 - 3 Stories - Moving On02 - The Voyage by Katherine Mansfield03 - His Smile by Susan Glaspell04 - Elenora by Edgar Allan Poe
Edgar Allan Poe, Katherine Mansfield, Susan Glaspell (Author), Eric Meyers, Laurel Lefkow, Richard Mitchley (Narrator)
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3 Stories About - Hope & Dreams
There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.01 - 3 Stories About - Hope and Dreams02 - The Necklace by Guy de Maupassant03 - Gooseberries by Anton Chekhov04 - From A to Z by Susan Glaspell
Anton Chekhov, Guy De Maupassant, Susan Glaspell (Author), David Shaw-Parker, Jake Urry, Laurel Lefkow (Narrator)
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Wonder Of Women - Murder Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Murder - An Introduction2 - The Murder In Saltashe Woods by Baroness Orczy3 - A Jury of Her Peers by Susan Glaspell4 - In The Dark by Edith Nesbit5 - Was It An Illusion. A Parson's Story by Amelia Edwards6 - Mrs Raeburn's Waxwork by Lady Eleanor Smith7 - Talma Gordon by Pauline E Hopkins8 - A Twin Identity by Edith Stewart Drewery9 - Why Herbert Killed His Mother by Winifred Holtby10 - The Octoroon's Revenge by Ruth D Todd11 - An Expiation by Arabella Kenealy12 - Water Running Out by Ethel Lina White13 - Ben Pitcher's Elly by Mary E Mann14 - No 5 Branch Line. The Engineer by Amelia Edwards15 - The Mysterious Death on the Underground Railroad by Baroness Emmuska Orczy16 - The 4.15 Express by Amelia Edwards
Amelia B. Edwards, Arabella Kenealy, Baroness Emmuska Orczy, Baroness Orczy, Edith Nesbit, Edith Stewart Drewery, Ethel Lina White, Lady Eleanor Smith, Mary E Mann, Pauline E Hopkins, Ruth D Todd, Susan Glaspell, Winifred Holtby (Author), Laurel Lefkow, Mark Rice-Oxley, Richard Mitchley (Narrator)
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The Foundations of Fiction - Modernism
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. It’s a reality that the term ‘modernism’ was first used for stories well over a century ago. Like fine wines they have aged remarkably well. In this volume the talents of Virginia Woolf, F Scott Fitzgerald, Katherine Mansfield, James Joyce are testament to the craft, imagination and literary chops these authors have brought to prose in one of its most enduring literary movements. 01 - Foundations of Fiction - Modernism - An Introduction2 - Bliss by Katherine Mansfield3 - Bernice Bobs Her Hair by F Scott Fitzgerald4 - The Legacy by Virginia Woolf5 - The Dead by James Joyce6 - Here We Are by Dorothy Parker7 - Odour of Chrysanthemums by D H Lawrence8 - If I Were A Man by Charlotte Perkins Gilman9 - Tomorrow by Eugene O'Neill10 - Friday by Zona Gale11 - The Defense of Strikerville by Damon Runyon12 - Rooms by Gertrude Stein13 - The Mark on the Wall by Virginia Woolf14 - The Garden Party by Katherine Mansfield15 - Eveline by James Joyce16 - His Smile by Susan Glaspell17 - A Cullenden of Virginia by Thomas Wolfe18 - Miss Brill by Katherine Mansfield19 - The Golden Honeymoon by Ring Lardner20 - Winter Dreams by F Scott Fitzgerald21 - Kew Gardens by Virginia Woolf22 - Ariel's Triumph by Booth Tarkington23 - Speed by Sinclair Lewis24 - Araby by James Joyce25 - The Ice Palace by F Scott Fitzgerald26 - The Fly by Katherine Mansfield27 - White Bread by Zona Gale28 - A Dill Pickle by Katherine Mansfield
Booth Tarkington, Charlotte Perkins Gilman, D.H. Lawrence, Damon Runyon, Dorothy Parker, Eugene O'Neill, F Scott Fitzgerald, Gertrude Stein, James Joyce, Katherine Mansfield, Ring Lardner, Sinclair Lewis, Susan Glaspell, Thomas Wolfe, Virginia Woolf, Zona Gale (Author), Eric Meyers, Eve Karpf, Laurel Lefkow (Narrator)
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The Foundations of Fiction - The Murder Mystery
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. The Whodunit is one of the great themes of literary fiction. We all believe that given the right clue at the right time we can deduce and logically unmask the killer. Unfortunately, our authors are not the most helpful of co-workers in this regard. With their more than liberal use of plot twists, red herrings and McGuffins they merrily ensure that the only one who really knows is them and them alone until it is time to reveal who really did the deed, and how.01 - Foundations of Fiction - Murder Mystery - An Introduction2 - The Murders in the Rue Morgue by Edgar Allan Poe3 - Markheim by Robert Louis Stevenson4 - A Thousand Deaths by Jack London5 - The Trial for Murder by Charles Dickens6 - A Jury of Her Peers by Susan Glaspell7 - Better Dead by J M Barrie8 - The Cone by H G Wells9 - The Hounds of Fate by Saki10 - The Mysterious Death on the Underground Railroad by Baroness Emmuska Orczy11 - The Moonlit Road by Ambrose Bierce12 - The Corpse Light by J E Preston Muddock writing as Dick Donovan13 - A Thing That Glistened by Frank R Stockton14 - Nightmare in Yellow by Fredric Brown15 - Was It An Illusion. A Parson's Story by Amelia Edwards16 - A Twin Identity by Edith Stewart Drewery17 - In A Grove by Ryunosuke Akutagawa18 - The Snow by Hugh Walpole19 - August Heat by W F Harvey20 - Allelulia by T F Powys21 - Juggernaut by D K Broster22 - The Bundle of Letters by Móritz Jókai23 - The Cask of Amontillado by Edgar Allan Poe
Ambrose Bierce, Amelia B. Edwards, Baroness Emmuska Orczy, Charles Dickens, D.K. Broster, Edgar Allan Poe, Edith Stewart Drewery, Frank R Stockton, Fredric Brown, H.G. Wells, Hugh Walpole, J. M. Barrie, Jack London, Móritz Jókai, Robert Louis Stevenson, Ryunosuke Akutagawa, Saki, Susan Glaspell, T F Powys, W F Harvey (Author), Christopher Ragland, David Shaw-Parker, Richard Mitchley (Narrator)
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First known for her short stories (fifty were published), Glaspell also wrote nine novels, fifteen plays, and a biography. Often set in her native Midwest, these semi-autobiographical tales typically explore contemporary social issues, such as gender, ethics, and dissent, while featuring deep, sympathetic characters who make principled stands. Her 1930 play Alison's House earned her the Pulitzer Prize for Drama.
Susan Glaspell (Author), Various (Narrator)
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The Cultured Bumpkin Presents: Great American Short Stories
A compilation of popular short stories from American literature narrated by professional voice actor Jake Phillips.
Ambrose Bierce, Edgar Allan Poe, Mark Twain, O Henry, Stephen Crane, Susan Glaspell, Washington Irving (Author), Jake Phillips (Narrator)
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B. J. Harrison Reads A Jury of Her Peers
'A Jury of Her Peers' is a short story by Susan Glaspell, adapted from her one-act play 'Trifles' exploring a murder mystery. The detectives trying to solve the crime are two women, making it one of the first pieces feminist detective fiction. It targets the vainglorious and absent-minded decisions of men, and highlights female’s psychology and powerfulness of feeling. It is a crime and mystery short story that is both fast-paced entertaining, a must read. B. J. Harrison started his Classic Tales Podcast back in 2007, wanting to breathe new life into classic stories. He masterfully plays with a wide array of voices and accents and has since then produced over 500 audiobooks. Now in collaboration with SAGA Egmont, his engaging narration of these famous classics is available to readers everywhere. Susan Glaspell (1876-1948) was an American writer, winner of the Pulitzer Prize, and the founder of the Provincetown Players: one of the leading and most influential drama collaborations in the United States. Her central subject is life in all its manifestations, making her a connoisseur of the human condition. Her best works include the dramas 'Trifles' and 'Alison’s House', as well as the novels 'Fidelity' and 'The Morning is Near Us'.
Susan Glaspell (Author), B. J. Harrison (Narrator)
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Susan Keating Glaspell was born on July 1st, 1876 in Davenport, Iowa. Glaspell, a precocious child, was an active student at Davenport High School. By 18 she was earning a salary at the local newspaper as a journalist, and by 20 she was the author of a weekly 'Society' column. At 21 she enrolled for Philosophy at Drake University, in Des Moines, where she excelled in debate competitions, and represented them at the state tournament. After graduation, Glaspell again worked as a reporter, still a rare position for a woman, and assigned to cover the state legislature and murder cases.At 24, after covering the conviction of a woman accused of murdering her abusive husband, Glaspell abruptly resigned and returned to Davenport, and a career writing fiction. Her stories were published by periodicals, including Harper's and Munsey's. In 1909, moving to Chicago she wrote her debut novel, 'The Glory of the Conquered'. It was a best-seller. So too her 2nd and 3rd and to glowing reviews.With her husband Glaspell founded the Provincetown Playhouse for plays that reflected contemporary issues. Her first play, 'Trifles' (1916), was based on the murder trial she covered as a young reporter and later adapted as the short story 'A Jury of Her Peers'. She wrote 12 plays over 7 years for the company. By 1918 Glaspell was considered one of America's most significant new playwrights. Despite its success theatre work did not make financial sense and she continued to submit short stories in order to support her and her husband during their years with the theater. In 1931 her play, 'Alison's House', received the Pulitzer Prize. She continued to write and now with themes increasingly based on her surroundings, on family life, and on theistic questions.Susan Keating Glaspell died of viral pneumonia in Provincetown, Massachusetts on 28th July 1948.
Susan Glaspell (Author), Ghizela Rowe, Laurel Lefkow (Narrator)
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Susan Keating Glaspell (1876 -1948) was a novelist, playwright, journalist and actress. 'The Verge' reflects Glaspell's observation of the way in which Victorian society left some women feeling trapped in roles for which they were unsuited. The narrative is about Claire, a woman who lives her life on the verge of a nervous breakdown. Trying to create a new type of plant, Claire spends most of her time in the greenhouse. One winter, with a house full of guests, she diverts the heat to the greenhouse. She tries to leave her family and friends outside, in the cold, and their attempts to bring her back to the real world drive her over the edge into utter insanity. The language of 'The Verge' is unusual; the characters sometimes speak in poetic fragments rather than everyday speech. What's more, symbolism features heavily in the play. Of course it all ends in death and destruction, with Claire humming 'Nearer My God, to Thee" with a smoking gun in her hand and a dead man at her feet.
Susan Glaspell (Author), Anna Lee (Narrator)
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In order to provide English learners with extensive reading pleasure, it consists of jewels that span the East and West, from literary works of famous writers such as Aesop's fables, Andersen, Shakespeare, and picture brothers to traditional fairy tales from all over the world.
Susan Glaspell (Author), Terri Scott (Narrator)
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Written by Susan Glaspell in 1916, Trifles is a one-act play about a woman accused of strangling her husband. Based on an actual murder case reported by Glaspell for the Des Moines News, the play represented an early exploration of gender relationships in a time when women often were considered to be mere trifles. A groundbreaking feminist play, Trifles is often included in anthologies of drama and literature. A L.A. Theatre Works full-cast performance featuring (in alphabetical order): Jeanie Hackett as Mrs. Peters; Amy Madigan as Mrs. Hale; Sam McMurray as the Sheriff; Steven Vinovich as Mr. Hale; Steven Weber as the County Attorney. Directed by Rosalind Ayres. Recorded at The Invisible Studios, West Hollywood.
Susan Glaspell (Author), Amy Madigan, Jeanie Hackett, Sam Mcmurray, Steve Vinovich, Steven Weber, Various Performers (Narrator)
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