There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.
Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way. The novel has been hailed as an influence on such writers as Dostoyevsky, Tolstoy and Chekhov, and is a striking take on Lord Byron's 'superfluous man'; it harks back to the teaching of Machiavelli, while anticipating the future work of Nietzsche.
First published in Russia as Geroy Nashego Vremeni, A Hero of Our Time is set in the Russian Caucasus in the 1830s.
In A Hero of Our Time, Grigory Pechorin is a bored, self-centered, and cynical young army officer who believes in nothing. With impunity he toys with the love of women and the goodwill of men. He is brave, determined, and willful, but his wasted energy and potential ultimately result in tragedy.
This psychologically probing portrait of a disillusioned nineteenth-century aristocrat and its use of a nonchronological and multifaceted narrative structure influenced such later Russian authors as Fyodor Dostoevsky and Leo Tolstoy and presaged the antiheroes and antinovels of twentieth-century fiction.
“In Russia Mikhail Lermontov is considered one of the greatest writers of the nineteenth century.”—Peter Constantine, award-winning literary translator
