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Wonder Of Women - Ghost Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Ghost Stories - An Introduction2 - Man Size In Marble by Edith Nesbit3 - The Eyes by Edith Wharton4 - The Story of Salome by Amelia Edwards5 - The Shadows on the Wall by Mary E Wilkins Freeman6 - A Spirit Elopement by Clotilde Graves7 - Since I Died by Elizabeth Stuart Phelps8 - Reality or Delusion by Mrs Ellen Wood9 - Was It An Illusion. A Parson's Story by Amelia Edwards10 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton11 - The Ghost at the Rath by Rosa Mulholland12 - Christmas Eve at a Cornish Manor House by Clara Venn13 - The Ghost by Catherine Wells14 - The Ghost in the Clock Room by Hesba Stretton15 - The Little Room by Madeline Yale Wynne16 - The Open Door - Part 1 by Margaret Oliphant17 - The Open Door - Part 2 by Margaret Oliphant18 - To Let by B M Croker19 - Let Loose by Mary Cholmondeley.wav20 - The Runaway by Marion Hepworth-Dixon21 - The Phantom Coach by Amelia Edwards22 - The 4 15 Express by Amelia Edwards23 - The Token by May Sinclair24 - The Striding Place by Gertrude Atherton25 - The Readjustment by Mary Austin26 - The Cold Embrace by Mary Elizabeth Braddon27 - The Old Nurse's Story by Elizabeth Gaskell28 - Dionea - Part 1 by Vernon Lee29 - Dionea - Part 2 by Vernon Lee30 - John Charrington's Wedding by Edith Nesbit
Amelia B. Edwards, B M Croker, Catherine Wells, Clara Venn, Clotilde Graves, Edith Nesbit, Edith Wharton, Elizabeth Gaskell, Elizabeth Stuart Phelps, Gertrude Atherton, Hesba Stretton, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Austin, Mary Cholmondeley, Mary E Wilkins Freeman, Mary Elizabeth Braddon, May Sinclair, Mrs Ellen Wood, Rhoda Broughton, Rosa Mulholland, Vernon Lee (Author), Elliot Fitzpatrick, Lisa Bowerman, Richard Mitchley (Narrator)
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Wonder Of Women - Psychological Supernatural Thrillers
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Psychological Supernatural Thriller - An Introduction2 - Man Size In Marble by Edith Nesbit3 - Mrs Raeburn's Waxwork by Lady Eleanor Smith4 - The Devil's Stone by Beatrice Heron-Maxwell5 - Was It An Illusion. A Parson's Story by Amelia Edwards6 - In the Séance Room by Lettice Galbraith7 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton8 - The Cold Embrace by Mary Elizabeth Braddon9 - Let Loose by Mary Cholmondeley.wav10 - Dionea - Part 1 by Vernon Lee11 - Dionea - Part 2 by Vernon Lee
Amelia B. Edwards, Beatrice Heron-Maxwell, Edith Nesbit, Lady Eleanor Smith, Lettice Galbraith, Mary Cholmondeley, Mary Elizabeth Braddon, Rhoda Broughton, Vernon Lee (Author), Elliot Fitzpatrick, Ghizela Rowe, Lisa Bowerman (Narrator)
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Wonder Of Women - Supernatural Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Supernatural - An Introduction2 - The Lifted Veil - Part 1 by George Eliot3 - The Lifted Veil - Part 2 by George Eliot4 - The Eyes by Edith Wharton5 - Dionea - Part 1 by Vernon Lee6 - Dionea - Part 2 by Vernon Lee7 - The Ebony Frame by Edith Nesbit8 - The Green Bowl by Sarah Orne Jewett9 - The Operation by Violet Hunt10 - Let Loose by Mary Cholmondeley.wav11 - The First Evening by Catherine Crowe12 - A Wicked Voice - Part 1 by Vernon Lee13 - A Wicked Voice - Part 2 by Vernon Lee14 - Marsyas in Flanders by Vernon Lee15 - Hodge by Elinor Mordaunt16 - A Spirit Elopement by Clotilde Graves17 - The Night of No Weather by Violet Hunt18 - The Mass for the Dead by Edith Nesbit19 - The Telegram by Violet Hunt20 - Amour Dure - Part 1 by Violet Paget writing as Vernon Lee21 - Amour Dure - Part 2 by Violet Paget writing as Vernon Lee
Catherine Crowe, Clotilde Graves, Edith Nesbit, Edith Wharton, Elinor Mordaunt, George Eliot, Mary Cholmondeley, Sarah Orne Jewett, Vernon Lee, Violet Hunt, Violet Paget writing as Vernon Lee (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)
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Wonder Of Women - The Weird Stories - Volume 1
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Weird Stories - Volume 1 - An Introduction2 - A Haunted House by Virginia Woolf3 - The Green Bowl by Sarah Orne Jewett4 - The Cold Embrace by Mary Elizabeth Braddon5 - The Eyes by Edith Wharton6 - Hodge by Elinor Mordaunt7 - The Weird of the Walfords by Louisa Baldwin8 - Decay by Marjorie Bowen9 - A Dreamer by Barbara Baynton10 - Let Loose by Mary Cholmondeley.wav11 - Where Their Fire Is Not Quenched by May Sinclair12 - When the Devil Was Well by Gertrude Atherton13 - With & Without Buttons by Mary Butts14 - Couching at the Door by D K Broster15 - The Open Door - Part 1 by Margaret Oliphant16 - The Open Door - Part 2 by Margaret Oliphant
Barbara Baynton, D.K. Broster, Edith Wharton, Elinor Mordaunt, Gertrude Atherton, Louisa Baldwin, Margaret Oliphant, Marjorie Bowen, Mary Butts, Mary Cholmondeley, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Virginia Woolf (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)
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Mary Cholmondeley was born in Hodnet near Market Drayton in Shropshire on June 8th 1859, thethird of eight children. Her father was appointed rector in 1874 in succession to his father. Much ofthe first 30 years of her life was taken up with helping her sickly mother run the household and herfather with parish work, and she herself suffered with asthma.Mary began writing with in her teens. She wrote in her journal in 1877, "What a pleasure andinterest it would be to me in life to write books. I must strike out a line of some kind, and if I do notmarry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want somedefinite occupation, besides the home duties."Mary began by publishing some stories in The Graphic and her first novel 'The Danvers Jewels' adetective story followed in 1887. It was followed by Sir Charles Danvers (1889), Diana Tempest(1893).After her father retired in 1896, she moved with him and her sister Diana to Condover Hall beforeselling it to move to Albert Gate Mansions in Knightsbridge, London.Mary wrote the best seller 'Red Pottage' in 1899. It satirised religious hypocrisy and the conceit ofcountry life. It was denounced as immoral. It also explored female sexuality.During the war she did clerical work in the Carlton House Terrace Hospital. The sisters moved in1919 to 4 Argyll Road, Kensington, where Mary died, unmarried, on 15th July 1925.
Mary Cholmondeley (Author), Lisa Bowerman (Narrator)
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Los no muertos. Antología de relatos de vampiros
Desde el comienzo de la historia en numerosas y diferentes culturas han aparecido leyendas sobre los vampiros. Estos mitos se han transmitido de generación en generación y se han convertido en parte imprescindible del folclore popular. Posteriormente, autores como Polidori, Charles Nodier, Hoffmann, Samuel Coleridge, Sheridan Le Fanu o Teophile Gautier sentarían las bases del vampiro clásico que se iría desarrollando, novela a novela, hasta convertirse en el vampiro contemporáneo: Drácula. En esta antología publicamos una serie de relatos que abordan desde diferentes perspectivas los mitos de los vampiros.
E. M. Stanislaus Von Stenbock, Eliza Lynn Linton, Ernest Raupach, Fitz James O'brien, Karl Heinrich Ulrichs, Mary Cholmondeley, Montague Rhodes James, Sebastián Beringheli (Author), Bernardo Casado (Narrator)
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The Short Stories Of Mary Cholmondeley
Mary Cholmondeley was born in Hodnet near Market Drayton in Shropshire on June 8th 1859, the third of eight children. Her father was appointed rector in 1874 in succession to his father. Much of the first 30 years of her life was taken up with helping her sickly mother run the household, her father with his parish work, and mitigating the effects of her asthma.Mary began writing in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties."Mary began by publishing her stories in The Graphic and her first novel 'The Danvers Jewels' a detective story followed in 1887. Thereafter came, amongst others, 'Sir Charles Danvers' (1889) and 'Diana Tempest' (1893).After her father retired in 1896, she moved with him and her sister Diana to Condover Hall before a move to Albert Gate Mansions in Knightsbridge, London.Mary wrote the best seller 'Red Pottage' in 1899. It satirised religious hypocrisy and the conceit of country life. It was denounced as immoral. It also explored female sexuality.During the war she did clerical work in the Carlton House Terrace Hospital. The sisters moved in 1919 to 4 Argyll Road, Kensington, where Mary died, on 15th July 1925.
Mary Cholmondeley (Author), Ghizela Rowe, Jake Urry (Narrator)
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Mary Cholmondeley (1859-1925) was an English novelist and short story writer. 'Let Loose' is a supernatural ghost story where a young architect wishes to research a unique fresco in the crypt of a remote and ancient parish church in Yorkshire. The parish clergyman is remarkably reluctant to hand over the keys to the crypt and sets some odd conditions to their use. On the subsequent days after the young architect has opened the crypt, terrible and mysterious deaths begin to plague the village. Something has been let loose...something horrible and sinister....
Mary Cholmondeley (Author), Cathy Dobson (Narrator)
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