In My Religion, Leo Tolstoy accuses the church of hiding the true meaning of Jesus, which is to be found in the Sermon on the Mount and the call to resist evil. For Tolstoy, it is this command which has been most damaged by ecclesiastical interpretation.
Tolstoy had not always been possessed of the religious ideas set forth in My Religion. For thirty-five years of his life he was, in the proper acceptation of the word, a nihilist-not a revolutionary socialist, but a man who believed in nothing. But faith came to him; he believed in the doctrine of Jesus, and his life underwent a sudden transformation.
At this time I began to write, from vanity, greed, and pride. In my writings I did exactly as in life. In order to possess the glory and the wealth for whose sake I wrote, it was necessary to conceal the good, and to display the bad. And so I did.
Tolstoy's autobiographical essay is a dissection of his soul, a study of his life's movement away from the religious certainties of youth, and a vital piece of reading which contextualizes the great works he is best known for. Marking the point at which his life moved from the worldly to the spiritual, Tolstoy's philosophical reassessment of the Orthodox faith is a work that holds vital spiritual and intellectual importance to this very day.
What Is Art? is the result of fifteen years' reflection on the nature and purpose of art.
Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content. The book is noteworthy not only for its famous iconoclasm and compelling attacks on the aestheticist notion of "art for art's sake" but even more for its wit, its lucid and beautiful prose, and its sincere expression of the deepest social conscience.
Tolstoy is an author critics typically rank alongside Shakespeare and Homer. A sustained consideration of the cultural import of art by someone who was himself an artist of the highest stature will always remain relevant and fascinating to anyone interested in the place of art and literature in society.
