A razor-sharp, beautifully written survey of the world of the wealthy heiress - glittering and gleaming, flawed and fascinating - from the seventeenth to the twenty-first centuries.
We fantasize about what we would do if we inherited a fortune: the house on Cheyne Walk? The Manolo Blahniks? The racehorses? But what would it be like, never to have to dream in that way?
Laura Thompson explores the historical phenomenon of the heiress in four inviting categories. First, the Estate Builders, women like Elizabeth Sloan, whose father Sir Hans owned the land that is now Chelsea. The Patrons - those heiresses who tried to do something with their money - feature Winnaretta Singer, inheritor of the sewing-machine fortune, whose salon in Paris showcased work by Debussy, Fauré and Ravel. Party Girls enjoy their money without shame or conscience. After the death of hostess Ronnie Greville, high-living illegitimate daughter of a Scottish brewer death, 286 bottles of Bollinger 1928 were discovered in her Mayfair home. The Rebels include Alice Silverthorne, who walked her black panther along the Promenade des Anglais and shot her lover in the stomach at the Gare du Nord.
A famous heiress once said: 'Life is less sad with money'. It should be true. But is it? Laura Thompson's Heiresses takes the listener on a sparklingly enlightening search for the answer.
On the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence. The remarkably intense love letters Edith wrote to Freddy - some of them couched in ambiguous language - were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so?
It has been one hundred years since she wrote her first novel and created the formidable Hercule Poirot. A brilliant and award-winning biographer, Laura Thomson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie's books still sell over four million copies each year-more than thirty years after her death-and this phenomenon shows no signs of slowing.
But who was the woman behind these mystifying, yet eternally pleasing puzzlers? Thompson reveals the Edwardian world in which Christie grew up, explores her relationships, including those with her two husbands and daughter, and investigates the many mysteries still surrounding Christie's life, most notably, her eleven-day disappearance in 1926.
Agatha Christie is as mysterious as the stories she penned, and writing about her is a detection job in itself. With unprecedented access to all of Christie's letters, papers, and notebooks, as well as fresh and insightful interviews with her grandson, daughter, son-in-law, and their living relations, Thompson is able to unravel not only the detailed workings of Christie's detective fiction, but the truth behind this mysterious woman.
The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire.
They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica, and Deborah. Born into country-house privilege in the early years of the 20th century, they became prominent as bright young things in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark and very public differences in their outlooks came to symbolize the political polarities of a dangerous decade.
The intertwined stories of their stylish and scandalous lives recounted in masterly fashion by Laura Thompson hold up a revelatory mirror to upper-class English life before and after WWII. The Six was previously published as Take Six Girls.
They were known as the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica and Deborah. Born into country-house privilege in the early years of the 20th century, they became prominent as 'bright young things' in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark - and very public - differences in their outlooks came to symbolize the political polarities of a dangerous decade.
