"It's the summer of 1979. A 15-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs ''The Talking Heads have a new album, it's called Fear of Music'' - and everything spins outward from that one moment.
Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art."
"On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow; some days it may seem that no one knows what happens there. Yet in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighbourhood its name.
The rules seem obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget.
Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, 'one of America's greatest storytellers,' (Washington Post) has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made."
"Sprachvirtuose Jonathan Lethem legt eine weitere scharfsinnige New-York- City-Satire vor. Nach seinem vielgelobten Roman 'Chronic City', in dem er das moderne Manhattan porträtierte, widmet er sich in Der Garten der Dissidenten dem erfolglosen Versuch von drei Generationen einer Familie, ihre utopischen Träume und politischen Ziele zu verwirklichen. 'Einer der brillantesten Autoren Amerikas' (The Washington Post). Mod.: Bernhard Robben, dt. Text: Schauspiel Köln
Ein Abend im Rahmen der lit.COLOGNE 2014."
"'A nimble and uncanny performance, brimming with Lethem's trademark verve and wit' Colson Whitehead, Pulitzer Prize-winning author of The Underground Railroad
Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She's looking for her friend's missing daughter, Arabella, and hires Heist - a laconic loner who keeps his pet opossum in a desk drawer - to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble - caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe's trip to the desert was always going to be strange, but it was never supposed to be dangerous...
Jonathan Lethem's first detective novel since Motherless Brooklyn, The Feral Detective is a singular achievement by one of our greatest writers."
"The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers, and airplanes, for starters - stops working...
Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.
Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him.
Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest."
"Now a major motion picture from Warner Bros. Starring Bruce Willis, Edward Norton, and Willem Dafoe
From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel.
Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable.
When Frank is fatally stabbed, Lionel's world is suddenly turned upside down, and this outcast who has trouble even conversing attempts to untangle the threads of the case, while trying to keep the words straight in his head.
A compulsively involving a and totally captivating homage to the classic detective tale."
"From silly chuckles to rueful ironic glee to deep cosmic laughter, this new volume of humorous tales samples the best of recent seasons of the popular public radio series Selected Shorts."
![[German] - Im Land der Unfreiheit mit Jonathan Lethem - lit.COLOGNE live (Ungekürzt) Audiobook](https://covers.audiobooks.com/images/covers/large/4066004512488.jpg)
