Random House presents the audiobook edition of Kill 'Em All by John Niven, read by Tom Riley.
The long-awaited sequel to KILL YOUR FRIENDS
It is 2017 - the time of Trump, Brexit and fake news. And time for the return of Steven Stelfox, exactly twenty years on from his Britpop heyday.
Now forty-seven and rich beyond the dreams of avarice, Stelfox works only occasionally as a music industry 'consultant'. A fixer. A problem solver. He's had a call from his old friend James Trellick, now president of Unigram, one of the largest record companies in America. Trellick has a huge headache on his hands in the shape of...
Lucius Du Pre. The biggest pop star on earth. Well, once the biggest pop star on earth. Now he's a helpless junkie and a prolific, unrepentant sexual predator. Through a programme of debt restructuring so complex even Trellick can barely understand it, Du Pre is massively in hock to the record company. The only way he can possibly pay it off is to embark on a worldwide comeback tour he's in no shape to do. The picture is further complicated when the parents of one of Du Pre's 'special friends' begin blackmailing him. If their video gets out, Du Pre's brand will be utterly toxic and will take Unigram down with it.
Enter Stelfox stage right. Only he has the lack of morality to spin this one. With stealth and cunning he begins to chart a road out of the nightmare and to make a killing in the process. For this age of 'American carnage' - of populism, of the lowest common denominator, of the Big Lie - is truly Stelfox's time to shine. But in this time of uncertainty, nothing is a given.
'A banging action satirical thriller. But it's also a proper novel about the Trumpian era, of the reality TV era, the fake news era. It's managed to say a lot of things in a way that very few other novels are doing and in a very comedic way' IRVINE WELSH
'A bruising triumph; Amis' MONEY for the Trump generation. What a monster he's created' IAN RANKIN
'John Niven understands our era better than almost anyone' DOUGLAS COUPLAND
'A scabrously entertaining satire of what it is like to be rich and white in the land of the free if you are utterly depraved, "where money doesn't just talk, or swear, it nukes". ... There is a twisted poetry in Niven's mastery of invective' THE TIMES
'Savagely, viciously witty, this frantic hymn to greed is filthy, frenetic and totally fabulous' SUNDAY MIRROR
'A full-throttle send up of toxic masculinity ... Niven at full tilt is always something to behold.'METRO
Zwei alte Schulfreunde. Craig war früher der charismatische Anführer, zu dem alle aufschauten und der zum Rockstar avancierte. Alan stand stets im Abseits, war Mitläufer. Dreißig Jahre später haben sich die Vorzeichen radikal geändert. Alan ist erfolgreicher Gourmetkritiker und Bestsellerautor, während sich Craig als Obdachloser auf Londons Straßen rumtreibt. Das Schicksal führt die beiden wieder zusammen. Alan greift seinem alten Freund unter die Arme und versucht ihn wieder auf die richtige Bahn zu bringen. Und bald ist nichts mehr so wie es war.
God takes a look at the Earth around the time of the Renaissance and everything looks pretty good - so he takes a holiday. In Heaven-time this is just a week's fishing trip, but on Earth several hundred years go by. When God returns, he finds all hell has broken loose: world wars, holocausts, famine, capitalism and 'fucking Christians everywhere'. There's only one thing for it. They're sending the kid back.
JC, reborn, is a struggling musician in New York City, trying to teach the one true commandment: Be Nice! His best chance to win hearts and minds is to enter American Pop Star. But the number one show in America is the unholy creation of a record executive who's more than a match for the Son of God ... Steven Stelfox.
Meet Steven Stelfox.
London 1997: New Labour is sweeping into power and Britpop is at its zenith. A&R man Stelfox is slashing and burning his way through the music industry, fuelled by greed and inhuman quantities of cocaine, searching for the next hit record amid a relentless orgy of self-gratification.
But as the hits dry up and the industry begins to change, Stelfox must take the notion of cut throat business practices to murderous new levels in a desperate attempt to salvage his career.
GARY is a sweet and decent man. Only two things would improve his life - having children with his gorgeous wife Pauline, and a lower golf handicap. Both are unlikely.
PAULINE is wondering how she ended up living in an ugly little house, driving a second-hand car and making a living dressing up as Tinkerbell. She's planning to leave Gary for a self-made carpet millionaire.
FINDLAY, the Carpet King of Scotland, wants to trade in his obese wife for a younger model. But if he goes for a divorce she'll take him to the cleaners. If only there was some way she could be made to disappear...
LEE, Gary's luckless brother, has botched one too many drug deals. Local crime overlord Ranta Campbell gives him one more job - one last chance to get it right. Lee's done some bad things - but murder?
When Gary gets smashed on the head by a golf ball and miraculously develops an absolutely perfect swing, everyone finds their fates rest on the final day of the Open Championship...
Kennedy Marr is a novelist from the old school. Irish, acerbic, and a borderline alcoholic and sex-addict, his mantra is drink hard, write hard and try to screw every woman you meet.
He's writing film scripts in LA, fucking, drinking and insulting his way through Californian society, but also suffering from writers block and unpaid taxes. Then a solution presents itself - Marr is to be the unlikely recipient of the W. F. Bingham Prize for Outstanding Contribution to Modern Literature, an award worth half a million pounds. But it does not come without a price: he must spend a year teaching at the English university where his ex-wife and estranged daughter now reside.
As Kennedy acclimatises to the sleepy campus, inspiring revulsion and worship in equal measure, he's forced to reconsider his precarious lifestyle. Incredible as it may seem, there might actually be a father and a teacher lurking inside this 'preening, narcissistic, priapic, sociopath'. Or is there...
Straight White Male is a no-holds-barred look into the mid-life crisis and the contemporary male sexual psyche. It is a brilliant new satire from one of Britain's sharpest writers.
Susan Frobisher and Julie Wickham are turning sixty. They live in a small Dorset town and have been friends since school. On the surface Susan has it all - a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people's home.
Then Susan's world is ripped apart when Barry is found dead in a secret flat - or rather, a sex dungeon. It turns out Barry has been leading a double life as a swinger. He's run up a fortune in debts and now the bank is going to take Susan's home.
Until, under the influence of an octogenarian gangster named Nails, the women decide that, rather than let the bank take everything Susan has, they're going to take the bank. With the help of Nails and the thrill-crazy, wheelchair-bound Ethel they pull off the daring robbery, but soon find that getting away with it is not so easy.
The Sunshine Cruise Company is a sharp satire on friendship, ageing, the English middle classes and the housing bubble from one of Britain's sharpest and funniest writers.
As the twentieth century breathes its very last, with Britpop at its zenith, twenty-seven-year-old A&R (artist and repertoire) man Steven Stelfox is slashing and burning his way through London’s music industry. Blithely crisscrossing the globe in search of the next megahit—fueled by greed and inhuman quantities of cocaine—Stelfox freely indulges in an unending orgy of self-gratification. But the industry is changing fast and the hits are drying up, and the only way he’s going to salvage his sagging career is by taking the idea of “cutthroat” to murderous new levels.
“I loved Kill Your Friends. Who didn’t? Scorched earth humor at its finest.”—Douglas Coupland, New York Times bestselling author of Microserfs
