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'To see a hare sit still as stone, to watch a hare boxing on a frosty March morning, to witness a hare bolt . . . these are great things. Every field should have a hare.'
The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches' familiars and symbols of fertility. They are arrogant, as in Aesop's The Hare and the Tortoise, and absurd, as in Lewis Carroll's Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like?
In The Book of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever.
Random House presents the audiobook edition of Still Water by John Lewis-Stempel, read by Leighton Pugh.
The Pond. Nothing in the countryside is more humble or more valuable. It's the moorhen's reedy home, the frog's ancient breeding place, the kill zone of the beautiful dragonfly. More than a hundred rare and threatened fauna and flora depend on it.
Written in gorgeous prose, Still Water tells the seasonal story of the wild animals and plants that live in and around the pond, from the mayfly larvae in the mud to the patrolling bats in the night sky above. It reflects an era before the water was polluted with chemicals and the land built on for housing, a time when ponds shone everywhere like eyes in the land, sustaining life for all, from fish to carthorse.
Still Water is a loving biography of the pond, and an alarm call on behalf of this precious but overlooked habitat. Above all, John Lewis-Stempel takes us on a remarkable journey - deep, deep down into the nature of still water.
Random House presents the audiobook edition of The Glorious Life of the Oak by John Lewis-Stempel, read by Leighton Pugh.
'The oak is the wooden tie between heaven and earth. It is the lynch pin of the British landscape.'
The oak is our most beloved and most common tree. It has roots that stretch back to all the old European cultures but Britain has more ancient oaks than all the other European countries put together. More than half the ancient oaks in the world are in Britain.
Many of our ancestors - the Angles, the Saxons, the Norse - came to the British Isles in longships made of oak. For centuries the oak touched every part of a Briton's life - from cradle to coffin It was oak that made the 'wooden walls' of Nelson's navy, and the navy that allowed Britain to rule the world. Even in the digital Apple age, the real oak has resonance - the word speaks of fortitude, antiquity, pastoralism.
The Glorious Life of the Oak explores our long relationship with this iconic tree; it considers the life-cycle of the oak, the flora and fauna that depend on the oak, the oak as medicine, food and drink, where Britain's mightiest oaks can be found, and it tells of oak stories from folklore, myth and legend.
Random House presents the audiobook edition of The Wood by John Lewis-Stempel, read by Leighton Pugh.
From 'one of the best nature-writers of his generation' (Country Life) and 2017 winner of the Wainwright Prize for Nature Writing, this BBC Radio 4 'Book of the Week' is the story of a wood - both its natural daily life and its historical times. Cockshutt is a particular wood - three and half acres of mixed woodland in south west Herefordshire - but it stands as exemplar for all the small woods of England.
For four years John Lewis-Stempel managed the wood. He coppiced the trees and raised cows and pigs who roamed free there. This is the diary of the last year, by which time he had come to know it from the bottom of its beech roots to the tip of its oaks, and to know all the animals that lived there - the fox, the pheasants, the wood mice, the tawny owl - and where the best bluebells grew. For many fauna and flora, woods like Cockshutt are the last refuge. It proves a sanctuary for John too.
To read The Wood is to be amongst its trees as the seasons change, following an easy path until, suddenly the view is broken by a screen of leaves, or your foot catches on a root, or a bird startles overhead. Lyrical, informative, steeped in poetry and folklore, it is both very real and very magical.
'John Lewis-Stempel is the hottest nature writer around.' - Spectator
'It sounds magical and you just know it will be gloriously written.' - Bookseller
Random House presents the audiobook edition of The Secret Life of the Owl by John Lewis-Stempel, read by Roy McMillan.
'Dusk is filling the valley. It is the time of the gloaming, the owl-light.
Out in the wood, the resident tawny has started calling, Hoo-hoo-hoo-h-o-o-o.'
There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side. But owls - with the sapient flatness of their faces, their big, round eyes, their paternal expressions - are also reassuringly familiar. We see them as wise, like Athena's owl, and loyal, like Harry Potter's Hedwig. Human-like, in other words.
No other species has so captivated us.
In The Secret Life of the Owl, John Lewis-Stempel explores the legends and history of the owl. And in vivid, lyrical prose, he celebrates all the realities of this magnificent creature, whose natural powers are as fantastic as any myth.
'John Lewis-Stempel is one of the best nature writers of his generation' Country Life
Random House presents the unabridged, downloadable audiobook edition of The Running Hare by John Lewis-Stempel, read by Bernard Hill.
Traditional ploughland is disappearing. Seven cornfield flowers have become extinct in the last twenty years. Once abundant, the corn bunting and the lapwing are on the Red List. The corncrake is all but extinct in England. And the hare is running for its life.
Written in exquisite prose, The Running Hare tells the story of the wild animals and plants that live in and under our ploughland, from the labouring microbes to the patrolling kestrel above the corn, from the linnet pecking at seeds to the seven-spot ladybird that eats the aphids that eat the crop. It recalls an era before open-roofed factories and silent, empty fields, recording the ongoing destruction of the unique, fragile, glorious ploughland that exists just down the village lane.
But it is also the story of ploughland through the eyes of man who took on a field and husbanded it in a natural, traditional way, restoring its fertility and wildlife, bringing back the old farmland flowers and animals. John Lewis Stempel demonstrates that it is still possible to create a place where the hare can rest safe.
