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Wonder Of Women - Ghost Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Ghost Stories - An Introduction2 - Man Size In Marble by Edith Nesbit3 - The Eyes by Edith Wharton4 - The Story of Salome by Amelia Edwards5 - The Shadows on the Wall by Mary E Wilkins Freeman6 - A Spirit Elopement by Clotilde Graves7 - Since I Died by Elizabeth Stuart Phelps8 - Reality or Delusion by Mrs Ellen Wood9 - Was It An Illusion. A Parson's Story by Amelia Edwards10 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton11 - The Ghost at the Rath by Rosa Mulholland12 - Christmas Eve at a Cornish Manor House by Clara Venn13 - The Ghost by Catherine Wells14 - The Ghost in the Clock Room by Hesba Stretton15 - The Little Room by Madeline Yale Wynne16 - The Open Door - Part 1 by Margaret Oliphant17 - The Open Door - Part 2 by Margaret Oliphant18 - To Let by B M Croker19 - Let Loose by Mary Cholmondeley.wav20 - The Runaway by Marion Hepworth-Dixon21 - The Phantom Coach by Amelia Edwards22 - The 4 15 Express by Amelia Edwards23 - The Token by May Sinclair24 - The Striding Place by Gertrude Atherton25 - The Readjustment by Mary Austin26 - The Cold Embrace by Mary Elizabeth Braddon27 - The Old Nurse's Story by Elizabeth Gaskell28 - Dionea - Part 1 by Vernon Lee29 - Dionea - Part 2 by Vernon Lee30 - John Charrington's Wedding by Edith Nesbit
Amelia B. Edwards, B M Croker, Catherine Wells, Clara Venn, Clotilde Graves, Edith Nesbit, Edith Wharton, Elizabeth Gaskell, Elizabeth Stuart Phelps, Gertrude Atherton, Hesba Stretton, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Austin, Mary Cholmondeley, Mary E Wilkins Freeman, Mary Elizabeth Braddon, May Sinclair, Mrs Ellen Wood, Rhoda Broughton, Rosa Mulholland, Vernon Lee (Author), Elliot Fitzpatrick, Lisa Bowerman, Richard Mitchley (Narrator)
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Wonder Of Women - Haunted House Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Haunted House - An Introduction2 - The Yellow Wallpaper by Charlotte Perkins Gilman3 - The Ebony Frame by Edith Nesbit4 - The Open Door - Part 1 by Margaret Oliphant5 - The Open Door - Part 2 by Margaret Oliphant6 - The Shadows on the Wall by Mary E Wilkins Freeman7 - The Ghost in the Clock Room by Hesba Stretton8 - The Ghost at the Rath by Rosa Mulholland9 - The Last of Squire Ennismore by Charlotte Riddell10 - The Villa by Elinor Mordaunt11 - Decay by Marjorie Bowen12 - To Let by B M Croker13 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton14 - The First Evening by Catherine Crowe15 - Man Size In Marble by Edith Nesbit
B M Croker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, Edith Nesbit, Elinor Mordaunt, Hesba Stretton, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Rhoda Broughton, Rosa Mulholland (Author), Janet Fullerlove, Laurel Lefkow, Liza Ross (Narrator)
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The Foundations of Fiction - Haunted House
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. The dark forces of history have a way of settling in houses, usually large and rambling, but also small and nestled in a city, and from there all sorts of uneasy happenings begin. Authors have very playful imaginations, as well as some very disturbing ideas as they escalate the interactions between people and the growing source of terror that is with us and around us.
A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, D.K. Broster, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), David Shaw-Parker, Mark Rice-Oxley, Richard Mitchley (Narrator)
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Haunted House Stories – The Definitive Collection
The Haunted House is a house that rules our minds with fear. Once we think a house is haunted we prove the point to ourselves again and again. Every floorboard creak or window rattle or unexplained happening is proof concrete.In this anthology our authors go to exceptional lengths to unsettle our minds and open them up to all sorts of terrors. 1 - Haunted House - The Definitive Collection - An Introduction2 - The Lurking Fear - Part 1 by H P Lovecraft3 - The Lurking Fear - Part 2 by H P Lovecraft4 - They by Rudyard Kipling5 - The Canterville Ghost - Part 1 by Oscar Wilde6 - The Canterville Ghost - Part 2 by Oscar Wilde7 - Carnacki, The Ghost Finder - No 1 - The Gateway of the Monster by William Hope Hodgson8 - The Ghost in the Clock Room by Hesba Stretton9 - The Ghost and the Bone-Setter by Sheridan Le Fanu10 - The Ghost at the Wrath by Rosa Mulholland11 - The Fall of the House of Usher - Part 1 by Edgar Allan Poe12 - The Fall of the House of Usher - Part 2 by Edgar Allan Poe13 - The House of the Black Evil by Eric Purves14 - The Villa by Elinor Mordaunt15 - The Empty House by Algernon Blackwood16 - The Deserted House by E T A Hoffman17 - Midnight House by W F Harvey18 - The Story of the Green House, Wallington by Allen Upward19 - The Judge's House by Bram Stoker20 - The Open Door - Part 1 by Margaret Oliphant21 - The Open Door - Part 2 by Margaret Oliphant22 - The Tapestried Chamber by Walter Scott23 - The Room in the Tower by E F Benson24 - The Clock by W F Harvey 25 - The Closed Window by A C Benson26 - The Shadows on the Wall by Mary E Wilkins Freeman27 - The Rats in the Walls by H P Lovecraft28 - The Whispering Wall by H D Everett29 - The Yellow Wall Paper by Charlotte Perkins Gilman30 - Lost Hearts by M R James31 - Man Size in Marble by Edith Nesbit32 - An Account of Some Strange Disturbances in Aungier Street by Sheridan Le Fanu33 - To Let by B M Croker34 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton35 - The First Evening by Catherine Crowe36 - Smee by A M Burrage37 - What Was It by Fitz James O'Brien38 - Decay by Marjorie Bowen39 - The Ankardyne Pew by W F Harvey40 - The Ebony Frame by Edith Nesbit41 - The Spectre of Tappington by Richard Harris Barham42 - The Old Nurse's Story by Elizabeth Gaskell43 - The Last of Squire Ennismore by Charlotte Riddell44 - The Haunted and the Haunters; or, The House and the Brain - Part 1 by Edward Bulwer Lytton45 - The Haunted and the Haunters; or, The House and the Brain - Part 2 by Edward Bulwer Lytton
A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, Fitz James O'Brien, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), Elliot Fitzpatrick, Richard Mitchley, William Dufris (Narrator)
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After the death of their mother, 10-year-old Meg is left to take care of the children until their father, who's away at sea, returns. He is expected any day, yet when his ship finally arrives, he is not aboard. There will be good days and bad days, but Meg's simple, childlike faith as well as the kindness of neighbours and friends will help her through her trials and ensure the survival of little Meg and 'her' children. - Sarah Smith (1832-1911), alias Hesba Stretton, was a British children's books author. The daughter of a bookseller, Smith grew into one of the most popular Evangelical writers of her time. She first rose to fame with her 'Jessica's First Prayer,' which she later followed with the sequel 'Jessica's Mother.'
Hesba Stretton (Author), Fiddlesticks (Narrator)
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This is the touching and endearing story of Little Meg and her trials and difficulties as she does her best to look after 'her children' after their mother dies. Father is away at sea and is expected every day, but when father's ship comes in he is not aboard! With the help of her new friend and neighbour Kitty, she finds out that he was 'took bad' on the other side of the world, who knows when or if he will ever make it back. Meanwhile, Little Meg must take care of Robby and baby. There are better days and worse days. There is the wonderful trip to Temple Gardens and the difficult process of pawning away their best clothes so Meg can buy food and coal. But through everything, Meg's simple childlike faith in God carries her through as each of her prayers are faithfully answered and a happy ending comes in sight! Hesba Stretton was the pen name of Sarah Smith, an English writer of children's books.
Hesba Stretton (Author), Fiddlesticks (Narrator)
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