"THE CLASSIC THRILLER FROM THE BESTSELLING AUTHOR OF REBECCA
'He turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well. I was looking at myself.'
By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the evening talking and drinking. It is not until John wakes the next morning that he realises his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.
'What a magnificent thriller this is' NEW YORK TIMES BOOK REVIEW
'She wrote exciting plots . . . a writer of fearless originality' GUARDIAN
'Tinged with nightmare' TIMES LITERARY SUPPLEMENT"
"BY THE BESTSELLING AUTHOR OF REBECCA
The Rebecca Notebook provides an unparalleled insight into the mastery of a writer's craft and the inner vision that made du Maurier a household name.
One of the great international bestsellers, Rebecca also inspired a film, a play and television dramas. This perfect companion volume, The Rebecca Notebook, outlines just how Rebecca came to be written, tracing its origins, developments and the directions it might have taken. The author reveals how she first came upon the secret house, hidden deep in the Cornish woodland, that was to become the romantic setting for her most famous novel: a house which stood derelict, and which she lovingly restored to create her own home.
The accompanying Memories introduce other members of her family: her father Gerald, the famous actor; her grandfather George, whose Punch drawings made him world famous; and her cousins, for whom J. M. Barrie wrote Peter Pan.
'The genuine, thoughtful voice of a woman whose works have been loved by millions' NEW YORK TIMES
'Daphne du Maurier has no equal' SUNDAY TELEGRAPH
'Du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING"
"FROM THE BESTSELLING AUTHOR OF REBECCA
'How long he fought with them in the darkness he could not tell, but at last the beating of the wings about him lessened and then withdrew . . .'
A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.
'A remarkable imagination continually provokes both pity and terror' OBSERVER
'One of the last century's most original literary talents' DAILY TELEGRAPH
'She wrote exciting plots . . . a writer of fearless originality' GUARDIAN"
"FROM THE BESTSELLING AUTHOR OF REBECCA
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events.
The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist who harnesses the power of the mind to chilling effect.
'Du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING
'Daphne du Maurier has no equal' SUNDAY TELEGRAPH
'One of the most shocking plot twists in all of literature' GILLIAN FLYNN"
"FROM THE BESTSELLING AUTHOR OF REBECCA
'Mary Farren went into the gun room one morning about half-past eleven, took her husband's revolver and loaded it, then shot herself. The butler heard the sound of the gun from the pantry...'
The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointment.
Each meticulously observed tale shows du Maurier's mastery of the genre."
"FROM THE BESTSELLING AUTHOR OF REBECCA
'I tell you your mine will be in ruins and your home destroyed and your children forgotten . . . but this hill will be standing still to confound you.'
So curses Morty Donovan when 'Cooper John' Brodrick builds his mine at Hungry Hill.
The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .
'Daphne du Maurier has no rival' SUNDAY TELEGRAPH
'du Maurier is a magician, a virtuouso' GOOD HOUSEKEEPING
'A storyteller of cunning and genius' SALLY BEAUMAN"
"FROM THE BESTSELLING AUTHOR OF REBECCA
'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests...'
Maria, Niall and Celia have grown up in the shadow of their famous parents. Their father is a flamboyant singer and their mother is a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.
Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best and draws the reader effortlessly into that magical world.
'One of the last century's most original literary talents' DAILY TELEGRAPH
'Wickedly readable . . . every woman instinctively wants to read her' NEW YORK TIMES BOOK REVIEW
' Somehow more personal than Daphne du Maurier's other novels' KIRKUS REVIEWS"
"FROM THE BESTSELLING WRITER OF REBECCA
When Dick Young's friend, Professor Magnus Lane offers him an escape from his troubles in the form of a new drug, Dick finds himself transported to fourteenth-century Cornwall. There, in the manor of Tywardreath, the domain of Sir Henry Champerhoune, he witnesses intrigue, adultery and murder.
The more time Dick spends consumed in the past, the more he withdraws from the modern world. With each dose of the drug, his body and mind become addicted to this otherworld and his attempts to change history bring terror to the present and put his own life in jeopardy.
'The House on the Strand is prime du Maurier . . . ' NEW YORK TIMES
'She wrote exciting plots . . . a writer of fearless originality' GUARDIAN
'No other popular writer has so triumphantly defied classification . . . ' MARGARET FORSTER"
"FROM THE BESTSELLING AUTHOR OF REBECCA.
'I want to know if men realise when they are insane. Sometimes I think that my brain cannot hold together, it is filled with too much horror - too much despair . . . I cannot sleep, I cannot close my eyes without seeing his damned face. If only it had been a dream.'
This collection showcases the budding talent and fierce imagination of Daphne du Maurier, before she went on to write one of the most beloved novels of all time. In these tales of human frailty and obsession, a waterlogged notebook washes ashore, revealing a dark story of jealousy and passion; a vicar coaches a young couple divided by class issues and an older man falls perilously in love with a much younger woman. Each tale demonstrates du Maurier's extraordinary storytelling gifts and her deep understanding of human nature.
'She wrote exciting plots, she was highly skilled at arousing suspense' GUARDIAN
'One of the last century's most original literary talents' DAILY TELEGRAPH
'Du Maurier employs well the assured balancing of uncanny possibilities ... and the bitterly wry sense of absurdity that were to characterise her finest fiction' HELEN TAYLOR, INDEPENDENT"
"FROM THE BESTSELLING AUTHOR OF REBECCA.
'The apathy of Sunday lay upon the streets. Houses were closed, withdrawn.
'They don't know,' he thought, 'those people inside, how one gesture of mine, now, at this minute, might alter their world. A knock on the door, and someone answers - a woman yawning, an old man in carpet slippers, a child sent by its parents in irritation; and according to what I will, what I decide, their whole future will be decided . . . Sudden murder. Theft. Fire.' It was as simple as that.'
In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent.
'In this collection, Daphne du Maurier's peerless craftmanship, her eerie sense of the macabre, her gift for sheer story telling come to full fruition' KIRKUS REVIEWS
'She wrote exciting plots ... a writer of fearless originality' PATRICK MCGRATH, GUARDIAN
'The appeal of romance and the clash of highly-charged emotions' NEW YORK HERALD TRIBUNE"
"INTRODUCED BY INTERNATIONAL BESTSELLER STEPHEN KING
A STUNNING COLLECTION OF DAPHNE DU MAURIER'S THIRTEEN DARKEST STORIES - INCLUDING 'THE BIRDS' AND 'DON'T LOOK NOW'
Amid the reflections and twisting alleyways of Venice, a grieving couple are haunted by the past. On a sharp December day, the wind changes - and the birds begin to gather. A group of wartime scientists attempt to capture the power of death, an eye operation reveals a monstrous reality, and a woman returns home to find she doesn't exist.
From murderous desires to supernatural forces, du Maurier's masterful short stories stare into the dark heart of our relationships: between men and women, humanity and nature, love and obsession, the future and the past. Whatever you do, don't look now . . ."
"FROM THE BESTSELLING AUTHOR OF REBECCA
'Perhaps we shall not see each other again. I will write to you, though, and tell you, as best I can, the story of your family. A glass-blower, remember, breathes life into a vessel, giving it shape and form and sometimes beauty; but he can with that same breath, shatter and destroy it.'
Faithful to her word, Sophie Duval reveals to her long-lost nephew the tragic story of a family of master craftsmen in eighteenth-century France. The world of the glass-blowers has its own traditions, it's own language and its own rules.
'If you marry into glass' Pierre Labbe warns his daughter, 'you will say goodbye to everything familiar, and enter a closed world'. But crashing into this world comes the violence and terror of the French Revolution against which, the family struggles to survive.
The Glass-Blowers is a remarkable achievement - an imaginative and exciting reworking of du Maurier's own family history.
'She wrote exciting plots . . . a writer of fearless originality' GUARDIAN
'This French Revolution epic is an overlooked classic' MELISSA KATSOULIS, THE TIMES
'No other popular writer has so triumphantly defied classification . . . ' MARGARET FORSTER"
