In Hollywood's Golden Age stars were everywhere. As well as entertaining us in the local movie theatre many of them came to our home, our very own living room. Here they would perform radio versions of big-name films. Screen Directors Playhouse was famous for the lavish use of stars in their productions. Listen now and find out why it really was just like having your very own film studio in your living room.
In Hollywood's Golden Age stars were everywhere. As well as entertaining us in the local movie theatre many of them came to our home, our very own living room. Here they would perform radio versions of big-name films. Screen Directors Playhouse was famous for the lavish use of stars in their productions. Listen now and find out why it really was just like having your very own film studio in your living room.
Von 1973 bis 1990 strahlte Sender Freies Berlin (SFB) die beliebte Hörfunksendung 'Nur für starke Nerven' (ab 1987 unter dem Namen 'Die Mitternachtsstory') aus. Der Schauspieler Friedrich Schönfelder las darin Grusel- und Kriminalgeschichten für Erwachsene zur guten Nacht vor. Bezeichnenderweise schlug er selbst 1972 der Unterhaltungsabteilung des SFB vor, eine Sendereihe zu starten, in der von ihm redaktionell ausgewählte Gruselgeschichten zu Gehör kommen sollten.
Namhafte Autoren, von denen Geschichten zum Vortrag kamen, waren Ray Bradbury, H.P. Lovecraft, Robert Bloch, E. A. Poe oder auch zeitgenössische deutschsprachige AutorInnen. Die Sendereihe umfasste mehr als 500 Folgen. Friedrich Schoenfelder konnte in mehr als 140 TV- und Kinofilmen, in mehr als 50 Hörspielen und als Synchronsprecher seine schauspielerische Leistung als distinguierter Gentleman aber auch als Charakterdarsteller unter Beweis stellen.
In dieser Folge liest Friedrich Schoenfelder die Geschichten 'Der Geistliche' von H.P. Lovecraft, Am Rande des Abgrunds' von Rudyard Kipling, 'Das Federkissen' von Horacio Quiroga, 'Raupen' von Edward F. Benson und 'Sinn für Humor' von Damon Runyon.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.
His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe.
Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits.
That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around".
That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits.
That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.
Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life.
He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
