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The Foundations of Fiction - Modernism
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. It’s a reality that the term ‘modernism’ was first used for stories well over a century ago. Like fine wines they have aged remarkably well. In this volume the talents of Virginia Woolf, F Scott Fitzgerald, Katherine Mansfield, James Joyce are testament to the craft, imagination and literary chops these authors have brought to prose in one of its most enduring literary movements. 01 - Foundations of Fiction - Modernism - An Introduction2 - Bliss by Katherine Mansfield3 - Bernice Bobs Her Hair by F Scott Fitzgerald4 - The Legacy by Virginia Woolf5 - The Dead by James Joyce6 - Here We Are by Dorothy Parker7 - Odour of Chrysanthemums by D H Lawrence8 - If I Were A Man by Charlotte Perkins Gilman9 - Tomorrow by Eugene O'Neill10 - Friday by Zona Gale11 - The Defense of Strikerville by Damon Runyon12 - Rooms by Gertrude Stein13 - The Mark on the Wall by Virginia Woolf14 - The Garden Party by Katherine Mansfield15 - Eveline by James Joyce16 - His Smile by Susan Glaspell17 - A Cullenden of Virginia by Thomas Wolfe18 - Miss Brill by Katherine Mansfield19 - The Golden Honeymoon by Ring Lardner20 - Winter Dreams by F Scott Fitzgerald21 - Kew Gardens by Virginia Woolf22 - Ariel's Triumph by Booth Tarkington23 - Speed by Sinclair Lewis24 - Araby by James Joyce25 - The Ice Palace by F Scott Fitzgerald26 - The Fly by Katherine Mansfield27 - White Bread by Zona Gale28 - A Dill Pickle by Katherine Mansfield
Booth Tarkington, Charlotte Perkins Gilman, D.H. Lawrence, Damon Runyon, Dorothy Parker, Eugene O'Neill, F Scott Fitzgerald, Gertrude Stein, James Joyce, Katherine Mansfield, Ring Lardner, Sinclair Lewis, Susan Glaspell, Thomas Wolfe, Virginia Woolf, Zona Gale (Author), Eric Meyers, Eve Karpf, Laurel Lefkow (Narrator)
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The Petrified Forest & Ninotchka
In Hollywood's Golden Age stars were everywhere. As well as entertaining us in the local movie theatre many of them came to our home, our very own living room. Here they would perform radio versions of big-name films. Screen Directors Playhouse was famous for the lavish use of stars in their productions. Listen now and find out why it really was just like having your very own film studio in your living room.
Damon Runyon, Jack Rose (Author), Bob Hope, Broderick Crawford, Jane Russell (Narrator)
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Screen Directors Playhouse - The Paleface & Butch Minds the Baby
In Hollywood's Golden Age stars were everywhere. As well as entertaining us in the local movie theatre many of them came to our home, our very own living room. Here they would perform radio versions of big-name films. Screen Directors Playhouse was famous for the lavish use of stars in their productions. Listen now and find out why it really was just like having your very own film studio in your living room.
Damon Runyon, Jack Rose (Author), Bob Hope, Broderick Crawford, Jane Russell (Narrator)
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Mitternachtsstories von Lovecraft, Kipling, Benson, Quiroga, Runyon - Nur für starke Nerven, Folge 7
Von 1973 bis 1990 strahlte Sender Freies Berlin (SFB) die beliebte Hörfunksendung 'Nur für starke Nerven' (ab 1987 unter dem Namen 'Die Mitternachtsstory') aus. Der Schauspieler Friedrich Schönfelder las darin Grusel- und Kriminalgeschichten für Erwachsene zur guten Nacht vor. Bezeichnenderweise schlug er selbst 1972 der Unterhaltungsabteilung des SFB vor, eine Sendereihe zu starten, in der von ihm redaktionell ausgewählte Gruselgeschichten zu Gehör kommen sollten. Namhafte Autoren, von denen Geschichten zum Vortrag kamen, waren Ray Bradbury, H.P. Lovecraft, Robert Bloch, E. A. Poe oder auch zeitgenössische deutschsprachige AutorInnen. Die Sendereihe umfasste mehr als 500 Folgen. Friedrich Schoenfelder konnte in mehr als 140 TV- und Kinofilmen, in mehr als 50 Hörspielen und als Synchronsprecher seine schauspielerische Leistung als distinguierter Gentleman aber auch als Charakterdarsteller unter Beweis stellen. In dieser Folge liest Friedrich Schoenfelder die Geschichten 'Der Geistliche' von H.P. Lovecraft, Am Rande des Abgrunds' von Rudyard Kipling, 'Das Federkissen' von Horacio Quiroga, 'Raupen' von Edward F. Benson und 'Sinn für Humor' von Damon Runyon.
Damon Runyon, Edward F. Benson, H. P. Lovecraft, Horacio Quiroga, Rudyard Kipling (Author), Friedrich Schoenfelder (Narrator)
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Damon Runyon Theater - Tobias the Terrible & Little Miss Marker: Episode 1
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - Romance in the Roaring Forties & The Lemon Drop Kid: Episode 2
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - A Nice Price & The Idyll of Miss Sarah Brown: Episode 3
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - Touching For a Pal & Princess O'Hara: Episode 4
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - Butch Minds the Baby & Breach of Promise: Episode 5
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - Dancing Dan's Christmas & Pick A Winner: Episode 6
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
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Damon Runyon Theater - Hold Em Yale & The Brain Goes Home: Episode 7
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
Audiobook
Damon Runyon Theater - Blood Pressure & Old Ems Kentucky Home: Episode 8
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He's a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with......or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.
Damon Runyon (Author), John Brown (Narrator)
Audiobook
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