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During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers.Amongst the very many was 'The Yellow Book'. Although titled as 'An Illustrated Quarterly' it was sold as a cloth-bound hardback and within were short stories, essays, poetry, illustrations and portraits. It was edited by the American author Henry Harland, who also contributed, and its art editor was no less that the formidable Aubrey Beardsley, the enfant terrible of illustration.Its yellow cover and name gave it an association with the risqué and erotic yellow covered works published in France. It was a visual shorthand for ideas that would push many boundaries of Society to more open interpretations. Being complete in each volume and slightly aloof it stayed away from serialised fiction and advertisements. Within each lavishly illustrated edition were literary offerings that included works by such luminaries as Henry James, H G Wells, W B Yeats, Edith Nesbit, George Gissing and many others from the ascetic and decadent movements of the time. The other notable inclusion was women both as contributors and amongst its editing staff, which was at odds with the then patriarchal gender norms. Although it only survived for 13 issues its reach and influence were second to none.
Charlotte Mew, John Buchan, Kenneth Grahame (Author), David Shaw-Parker, Ghizela Rowe, Richard Mitchley (Narrator)
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Charlotte Mary Mew was born on 15th November, 1869 in London to professional parents – her father was responsible for the design of Hampstead Town Hall.Charlotte, one of seven children; three of whom died in early childhood, was educated at Lucy Harrison's School for Girls and attended lectures at University College, London.In 1898 her father died but failed to make provision for the family. Her mother, anxious about the family's social standing, did not want that known even though there was heavy ongoing expense for two other siblings who were in mental institutions.However for Charlotte helping to support this overhead and her mother and sister, Anne, meant that her ambition to be a paid writer must now become a reality. Initially this meant prose - her poetry was to gestate until later in life.During this time Charlotte and Anne made a pact never to marry for fear of passing on insanity to their children.As a writer Charlotte was a modernist, resisting the shackles of Victorian society's suffocating demands on behaviour especially for women. Despite her diminutive figure and dainty feet, she wore trousers, kept her hair short, smoked roll ups, was a Lesbian and tried to appear masculine.Her difficult family life, although her close relationship with Anne was a constant source of comfort and companionship until her death in 1927, was coupled with rejection in her personal life but also provided inspiration for her wonderfully insightful and original poetry that you can read here.Despite her fans including Thomas Hardy, Virginia Woolf and Siegfried Sassoon, Charlotte's works have been shamefully neglected. With your help we hope to put that right with this collection of her best poems.Charlotte Mew died on 24th March in 1928 and was buried at Hampstead Cemetery.
Charlotte Mew (Author), Ghizela Rowe, Gideon Wagner, Richard Mitchley (Narrator)
Audiobook
The Short Stories of Charlotte Mew
Charlotte Mary Mew was born on 15th November, 1869 in London to professional parents her father was responsible for the design of Hampstead Town Hall. Charlotte, one of seven children; three of whom died in early childhood, was educated at Lucy Harrison's School for Girls and attended lectures at University College, London.In 1898 her father died but failed to make provision for the family. Her mother, anxious about the family's social standing, did not want that known even though there was heavy ongoing expense for two other siblings who were in mental institutions. However for Charlotte helping to support this overhead and her mother and sister, Anne, meant that her ambition to be a paid writer must now become a reality. Initially this meant prose her poetry was to gestate until later in life. During this time Charlotte and Anne made a pact never to marry for fear of passing on insanity to their children. As a writer Charlotte was a modernist, resisting the shackles of Victorian society's suffocating demands on behaviour especially for women. Despite her diminutive figure and dainty feet, she wore trousers, kept her hair short, smoked roll ups, was a Lesbian and tried to appear masculine.Her difficult family life, although her close relationship with Anne was a constant source of comfort and companionship until her death in 1927, was coupled with rejection in her personal life but also provided inspiration for her wonderfully insightful and original poetry that you can read here.Despite her fans including Thomas Hardy, Virginia Woolf and Siegfried Sassoon, Charlotte's works have been shamefully neglected. With your help we hope to put that right with this collection of her best poems. Charlotte Mew died on 24th March in 1928 and was buried at Hampstead Cemetery. This volume comes to you from Miniature Masterpieces, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single authors, themes, and many compilations.
Charlotte Mew (Author), Eve Karpf, Ghizela Rowe (Narrator)
Audiobook
Women's Short Stories - Volume 3
The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. The stories are by Louisa May Alcott, Katherine Mansfield, Charlotte Mew and are narrated by Eve Karpf and Liza Ross
Charlotte Mew, Katherine Mansfield, Louisa May Alcott (Author), Ghizela Rowe, Richard Mitchley (Narrator)
Audiobook
A rich and varied selection of full-length stories which explore the many experiences and complexities of womanhood. Sometimes joyful, sometimes sad, always absorbing, Best of Women's Short Stories is a remarkable collection; featuring great writers of timeless appeal, all interpreted by Harriet Walter with acute tenderness and sensitivity.
Charlotte Mew, Charlotte Perkins Gilmore, Edith Wharton, Elizabeth Gaskell, Katherine Mansfield, Mary Ann Lamb, Mary Braddon, Various Authors, William J. Locke (Author), Harriet Walter (Narrator)
Audiobook
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