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A riveting, suspenseful and exuberant novel from the bestselling, Booker Prize-winning author of The White Tiger about a young illegal immigrant who must decide whether to report crucial information about a murder - and risk deportation. Danny - Dhananjaya Rajaratnam - is an illegal immigrant in Sydney, denied refugee status after he has fled from his native Sri Lanka. Working as a cleaner, living out of a grocery storeroom, for three years he's been trying to create a new identity for himself. And now, with his beloved vegan girlfriend, Sonja, with his hidden accent and highlights in his hair, he is as close as he has ever come to living a normal Australian life. But then one morning, Danny learns a female client of his has been murdered. When Danny recognizes a jacket left at the murder scene, he believes it belongs to another of his clients - a doctor with whom he knows the woman was having an affair. Suddenly Danny is confronted with a choice: come forward with his knowledge about the crime and risk being deported, or say nothing, and let justice go undone? Over the course of a single day, evaluating the weight of his past, his dreams for the future, and the unpredictable, often absurd reality of living invisibly and undocumented, he must wrestle with his conscience and decide if a person without rights still has responsibilities. Propulsive, insightful, and full of Aravind Adiga's signature wit and magic, Amnesty is both a timeless moral struggle and a universal story with particular urgency today. 'Adiga is a real writer - that is to say, someone who forges an original voice and vision' SUNDAY TIMES 'The most exciting novelist writing in English today.' A. N. WILSON '[Adiga] is not merely a confident storyteller but also a thinker, a skeptic, a wily entertainer, a thorn in the side of orthodoxy and cant . . . Adiga . . . displays what might be his greatest gifts as a postcolonial novelist: His strong sense of how the world actually works, and his ability to climb inside the minds of characters from vastly different social strata.' NEW YORK TIMES
Aravind Adiga (Author), Vikas Adam (Narrator)
Audiobook
From Aravind Adiga, the bestselling, Booker Prize-winning author of The White Tiger, a dazzling new novel about two brothers in a Mumbai slum who are raised by their obsessive father to become cricket stars, and whose coming of age threatens their relationship, future, and sense of themselves. Manjunath Kumar is fourteen and living in a slum in Mumbai. He knows he is good at cricket-if not as good as his older brother, Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented sibling, and is fascinated by curious scientific facts and the world of CSI. But there are many things, about himself and about the world, that he doesn't know. Sometimes it even seems as though everyone has a clear idea of who Manju should be, except Manju himself. When Manju meets Radha's great rival, a mysterious Muslim boy privileged and confident in all the ways Manju is not, everything in Manju's world begins to change, and he is faced by decisions that will challenge his understanding of it, as well as his own self. Filled with unforgettable characters from across India's social strata-the old scout everyone calls Tommy Sir; Anand Mehta, the big-dreaming investor; Sofia, a wealthy, beautiful girl and the boys' biggest fan-this book combines the best of The Art of Fielding and Slumdog Millionaire for a compulsive, moving story of adolescence and ambition, fathers, sons, and brothers. Selection Day is Adiga's most absorbing, big-hearted novel to date, and proves why "with his gripping, amusing glimpse into the contradictions and perils of modern India, Aravind Adiga has cemented his reputation as the preeminent chronicler of his country's messy present" (Newsweek).
Aravind Adiga (Author), Sartaj Garewal (Narrator)
Audiobook
Searing. Explosive. Lyrical. Compassionate. Here is the astonishing new novel by the Man Booker Prize–winning author of The White Tiger, a book that took rage and anger at injustice and turned it into a thrilling murder story. Now, with the same fearlessness and insight, Aravind Adiga broadens his canvas to give us a riveting story of money and power, luxury and deprivation, set in the booming city of Mumbai. At the heart of this novel are two equally compelling men, poised for a showdown. Real estate developer Dharmen Shah rose from nothing to create an empire and hopes to seal his legacy with a building named the Shanghai, which promises to be one of the city's most elite addresses. Larger-than-life Shah is a dangerous man to refuse. But he meets his match in a retired schoolteacher called Masterji. Shah offers Masterji and his neighbors—the residents of Vishram Society's Tower A, a once respectable, now crumbling apartment building on whose site Shah's luxury high-rise would be built—a generous buyout. They can't believe their good fortune. Except, that is, for Masterji, who refuses to abandon the building he has long called home. As the demolition deadline looms, desires mount; neighbors become enemies, and acquaintances turn into conspirators who risk losing their humanity to score their payday. Here is a richly told, suspense-fueled story of ordinary people pushed to their limits in a place that knows none: the new India as only Aravind Adiga could explore—and expose—it. Vivid, visceral, told with both humor and poignancy, Last Man in Tower is his most stunning work yet.
Aravind Adiga (Author), Sam Dastor (Narrator)
Audiobook
Welcome to Kittur, India. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and of an India that modern literature has rarely addressed...
Aravind Adiga (Author), Sam Dastor (Narrator)
Audiobook
Between the Assassinations is loosely organized around a 6-day walking tour of the town of Kittur, India; interstitial segments connect the stories with historical, social and visual context. The stories themselves dramatize events in Kittur that occur between the assassinations of Indira Ghandi in 1984 and the assassination of Rajiv Ghandi in 1991, including a bomb explosion at a Jesuit school, corruption in the local government, and a march on the town demanding a return to traditional social values--most of these are portrayed through "marginal" elements of the town's society, characters who occur and recur throughout the collection. If Kittur is defined by anything, it is by its restlessness with class distinctions. The town's residents fret and act almost wholly in a quest for more respect, more status and more social worth. In the first story, untitled like the rest, a 12-year-old boy named Ziauddin, a gopher at a teashop near the railway station, is nearly enticed into terrorism because a fair-skinned stranger treats him with dignity and warmth. Elsewhere, a schoolboy of a lower caste sets off an explosive in a classroom to make a vague protest against casteism. Jayamma, an old servant and cook, longs for her freedom, if only so that she can go home and play with her nephew. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs Gomes, and then loses it all when he attempts to be something more. This collection addresses in greater detail, and with humor, sympathy, and unflinching candor, the antipathies between Hindus and Muslims, Indians, Pakistanis, and smaller groups such as Pathans, Brahmins, Communists, Christians. There are heartbreaking descriptions of factory workers, petty criminals, Jesuit-school students, cooks, expanding his characterizations, though diminishing the depth of their profiles as compared to Balram. Like Thomas Hardy's Wessex or William Faulkner's Yoknapatawpha County, Kittur is a literary stage walked by a rich cast of characters, each of their time and yet not defined exclusively by it. Between the Assassinations is a series of sketches that together form a blinding and brilliant mosaic of Indian life as it is lived in a place called Kittur, which by extension tells us a lot about India at large.
Aravind Adiga (Author), Harsh Nayyar (Narrator)
Audiobook
Set in a raw and unromanticized India, The White Tiger---the first-person confession of a murderer---is as compelling for its subject matter as it is for the voice of its narrator: amoral, cynical, unrepentant, yet deeply endearing.
Aravind Adiga (Author), John Lee (Narrator)
Audiobook
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