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In the early 1900s a new movement in poetry began. With the new century came new thinking, a reaction to both romanticism and the more formal, structured poetry of the Victorian era. Here was poetry designed to be simple, clear and precise, rather than be adorned and encrusted with more from the lexicon than what was actually needed.The original ideas sprang from T. E Hulme and from these Ezra Pound created the structure for its development. Akin to the Ancient Greek lyricists and the Japanese Haiku poets who went from fixed meters to free verse.I. Direct treatment of the "thing," whether subjective or objective. II. To use absolutely no word that does not contribute to the presentation. III. As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the metronome.Hilda Doolittle (H.D.) William Carlos Williams, Richard Aldington and James Joyce added their talents to an anthology edited by Pound, swiftly followed by Amy Lowell assuming leadership and adding both monies and 3 further anthology volumes. By the end of the Great War in 1918 the movement was being absorbed into the broader modernist movement. Its time may have passed but its indelible mark was made.
Amy Lowell, Ezra Pound, Hilda Doolittle (Author), David Shaw-Parker, Ghizela Rowe, Richard Mitchley (Narrator)
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The Poetry of World War I - Volume III - Women's Word on War
War may be rationalized as 'diplomacy by other means' but the reality is that when tribes, Nations and peoples bring themselves into armed conflict with one another mayhem, terror and slaughter are the result.In the First World War, The Great War, The War to End all Wars any idealistic aims that it was a 'just cause' and would be all over in a few months were shattered against the vast scale of millions dead or wounded all for the often temporary gains of a few miles of shell-pocked mud. Human bodies were of little more value than the bullets and shells which mowed them down.In this series of poetry volumes we look at the first world war from several viewpoints. From poets who died, often in battle, during its torturous years, to the women who write of war and its consequences as well as an anthology of those poets, some still of fame, and some now forgotten with only their words to bear witness for what they have experienced. Each has an individual point of view that bears its own truth.Whilst in modern times women fight and serve in many armed forces a century ago their work was needed to tend and comfort the sick and wounded from battle and help Nations, depleted of their menfolk, work as best they could.Within this vast landscape of pain and valour these women also put pen to paper to produce words that show us war from another angle. Their own. Whether it be jingoistic or patriotic, reflective or overwhelming their verses have an eloquence that is both painful and tender.This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.
Amy Lowell, Katharine Tynan, Sara Teasdale (Author), Eve Karpf, Ghizela Rowe, Richard Mitchley (Narrator)
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The Poetry Of Amy Lowell. Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that the English language has produced some of the most beautiful, moving and descriptive verse through the centuries. In this volume we look at the works of the American poet Amy Lowell. She was born into the prominent Lowell family in Brookline Massachusetts in 1874. Although her brother was to become President of Harvard she never entered college, her family considering it not proper for a woman. However she loved books and was an avid reader and collector. A socialite she travelled widely and first began to publish in 1910. Thought to be a lesbian the erotic themes within several of her poems are a wonderful loving tribute and exploration of her relationships. She published other poets and was working on a biography of the poet John Keats which brought forth the wonderful line "The stigma of oddness is the price a myopic world always exacts of genius". In becoming a major figure in the Imagist movement she clashed with Erza Pound frequently. In 1925 she died of a cerebral hemorrhage at the age of 51. The following year, she won the Pulitzer Prize for Poetry for What's O'Clock. This volume of her poems is read by Richard Mitchley and Ghizela Rowe.
Amy Lowell (Author), Ghizela Rowe (Narrator)
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The gentler sex or the deadlier of the species. Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard. In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 3 we bring you works from Elizabeth Gaskell to Amy Lowell by way of Ann Griffiths, Janet Hamilton, Letitia Elizabeth Landon, Emma Lazarus and many others. Our readers include Ghizela Rowe, Richard Mitchley and Angharad Rees.
Amelia Lanyer, Amy Lowell, Elizabeth Gaskell (Author), Ghizela Rowe, Richard Mitchley (Narrator)
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