"Elegant, involving and emotionally honest, this fictionalisation of Edward and Jo Hopper’s lives explores the ways in which the past resurfaces, and the shifting ideals of the American Dream."
It’s 1950 and ten-year-old Michael is heading to Cape Cod for the summer. His train journey from Grand Central sets the tone, with the spectre of WWII looming large in a very real way as his memory streams images from train journeys he took in Germany, when it was essential to “keep your eyes shut and pretend you haven’t yet woken or that you’re already dead.” On arrival Michael stays with Richie and they strike up a bond with eccentric neighbour Edward Hooper, who’s depressed by his impotence as an artist, and his intellectually sharp wife Jo, who’s given to passionate, impetuous outbreaks. Personal loss, regrets, loneliness and hazy hopes are played out against a background of sweeping change (post-war transition; the beginning of the era of American consumerism) and the powerfully painted Cape Cod setting. In an era of quick digests and speedy swiping, this novel of depth and honesty stands as a testament to the potent value of taking one’s time.
WINNER OF THE WALTER SCOTT HISTORICAL PRIZE FOR FICTION, 2020
WINNER OF THE DALKEY LITERARY AWARD FOR NOVEL OF THE YEAR, 2020
SHORTLISTED FOR THE IRISH BOOK AWARDS, 2019
An Irish Independent and Irish Times Book of the Year, 2019
From the author of Tatty, the Dublin: One City One Book 2020 choice
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'It is a long time since I have read such a fine novel or one that I have enjoyed quite so much.' Irish Times
1950: late summer season on Cape Cod. Michael, a ten-year-old boy, is spending the summer with Richie and his glamorous but troubled mother. Left to their own devices, the boys meet a couple living nearby - the artists Jo and Edward Hopper - and an unlikely friendship is forged.
She, volatile, passionate and often irrational, suffers bouts of obsessive sexual jealousy. He, withdrawn and unwell, depressed by his inability to work, becomes besotted by Richie's frail and beautiful Aunt Katherine who has not long to live - an infatuation he shares with young Michael.
A novel of loneliness and regret, the legacy of World War II and the ever-changing concept of the American Dream.
'A brilliant portrait... With a beguiling grace and a deceptive simplicity, Christine Dwyer Hickey reminds us that the past is never far away - rather, it constantly surrounds us, suspends us, haunts us.' Colum McCann
