Written in My Own Heart's Blood Synopsis
The British Army is withdrawing from Philadelphia, with George Washington in pursuit, and for the first time, it looks as if the rebels might actually win. But for Claire Fraser and her family, there are even more tumultuous revolutions that have to be accommodated. Her former husband, Jamie, has returned from the dead, demanding to know why in his absence she married his best friend, Lord John Grey. Lord John's son, the ninth Earl of Ellesmere, is no less shocked to discover that his real father is actually the newly resurrected Jamie Fraser, and Jamie's nephew Ian Murray discovers that his new-found cousin has an eye for the woman who has just agreed to marry him. And while Claire is terrified that one of her husbands may be about to murder the other, in the 20th century her descendants face even more desperate turns of events. Her daughter Brianna is trying to protect her son from a vicious criminal with murder on his mind, while her husband Roger has disappeared into the past...
About This Edition
| ISBN: |
9780752884004 |
| Publication date: |
23rd April 2015 |
| Author: |
Diana Gabaldon |
| Publisher: |
Orion (an Imprint of The Orion Publishing Group Ltd ) an imprint of Orion Publishing Co |
| Format: |
Paperback |
| Pagination: |
1296 pages |
| Series: |
An Outlander Novel |
| Primary Genre |
Historical Fiction
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| Other Genres: |
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| Recommendations: |
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About Diana Gabaldon
Diana Gabaldon is the internationally bestselling author of many historical novels including CROSS STITCH, DRAGONFLY IN AMBER, VOYAGER, DRUMS OF AUTUMN, THE FIERY CROSS and A BREATH OF SNOW AND ASHES. She lives with her family in Scottsdale, Arizona.
Photo © Nancy Castaldo
Diana Gabaldon on her influences...
I know writers of novels who say they don't read fiction at all while working on a book, out of fear of "being influenced" by what they read. I am struck by horror at the thought of going years without being able to read fiction (though perhaps these people write faster than I do, and take long vacations between books?)—but more struck by the sheer silliness of this.
Everything writers see, think, and experience influences their work. How could it not? Now, it's true that people do ask writers, "Where do you get your ideas?" and that writers--out of facetiousness or desperation--give answers like, "From the Sears catalog" (or "From Ideas.com," depending on the writer's vintage). But the truth is that writers get ideas from every damn thing they see, hear, smell, touch, taste, think, feel, or do—including the books they read.
Naturally, one wants to develop a unique voice, but do kids learn to talk without ever being talked to? You have an individual voice, by virtue of being an individual. And your individuality is composed of your essential God-given spark of personality and of the sum total of the things you encounter in life. Now, whether each encounter is a bruising collision or a fruitful act of love…who knows? But all of it is grist to a writer's mill; so much should be obvious, if one reads at all widely.
Personally, I learned to read at the age of three, and have read non-stop ever since. I'll be 58 next week; you can read a lot of books in fifty-five years. I'm sure that every single book I've ever read has had some influence on me as a writer, whether negative (I've read a lot of books with the mounting conviction that I would never in my life do something like that) or positive.
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